November 29, 1944
THE SCREEN; Meet Me in St. Louis,' a Period Film That Has Charm,
With Judy Garland and Margaret O' Brien, Opens at the Astor
By BOSLEY CROWTHER
Published: November 29, 1944
Now that the style for family albums in the theatre has been
charmingly set by Broadway's perennial "Life With Father," Metro has
taken the cue and has turned out a comparably charming movie in
virtually the same period style. It is a warm and beguiling
picturization based on Sally Benson's memoirs of her folks, "Meet Me
in St. Louis," and it came to the Astor yesterday. Let those who
would savor their enjoyment of innocent family merriment with the
fragrance of dried-rose petals and who would revel in girlish
rhapsodies make a bee-line right down to the Astor. For there's
honey to be had inside.
And it isn't just the clang-clang-clanging of "The Trolley Song"
that will ring in your energized ears, despite the rather
frightening impression you may have got from the radio. Nor is it,
indeed, the musical phases of the film that are most likely to
allure. Except for maybe half a dozen numbers which Judy Garland
melodically sings—and which had been planted like favors in a
bride's cake—this is mostly a straight family lark, covering a year
of rare activity in a house heavily peopled with girls. And, as
such, it is fraught with such dilemmas as are peculiar to that fair,
bewildering tribe.
For this is a free and genial recount of events in the home of the
Smiths, who are staunchly devoted to St. Louis, during the year
1903-1904. There are long-suffering papa and mama, four daughters, a
saucy elder son, grandpa (who is something of a crack-pot) and a
tautly tyrannical maid. And the tempests which occur in this large
hen-roost derive from such grand necessities as meeting the right
boy at the right time and not moving to New York.
There is the charming and homely incident when elder sister Rose
anticipates a proposal of marriage from her hopefully "intended" in
New York and has to take the call amidst the whole brood over the
goose-necked telephone.
There is the equally terrifying episode when sisterEsther biffs the
boy next door because she thought he had walloped little Tootie, who
was skylarking all the time. And, for the younger fry, there is the
thoroughly bewitching and fay experience of this same little
fanciful Tootie on a windy Hallowe'en.
All of these bits of family humor—and several more in the same
vein—are done in a manner calculated to warm and enthuse the heart.
The Smiths and their home, in Technicolor, are eyefuls of scenic
delight, and the bursting vitality of their living inspires you like
vitamin A. Miss Garland is full of gay exuberance as the second
sister of the lot and sings, as we said, with a rich voice that
grows riper and more expressive in each new film. Her chortling of
"The Trolley Song" puts fresh zip into that inescapable tune, and
her romantic singing of a sweet one, "The Boy Next Door," is good
for mooning folks.
Little Margaret O'Brien makes a wholly delightful imp of Satan as
Tootie, and Lucille Bremer is lovely and old-fashioned as Rose, the
nubile sis. Marjorie Main as Katie, the maid; Harry Davenport as
Grandpa and Tom Drake as the boy next door are only three of the
several excellent members of the cast.
Vincente Minnelli, in his direction, has got all the period charm
out of ladies dressed in flowing creations, gentlemen in straw
"boaters" and ice-cream pants, rooms lush with golden-oak wains-coating,
ormolu decorations and red-plush chairs. As a comparable screen
companion to "Life With Father," we would confidently predict that
"Meet Me in St. Louis" has a future that is equally bright. In the
words of one of the gentlemen, it is a ginger-peachy show.
MEET ME IN ST. LOUIS, screen play by Irving Brecher and Fred F.
Finklehoffe; based on the book by Sally Benson; songs by Hugh Martin
and Ralph Blane; directed by Vincente Minnelli; produced by Arthur
Freed for Metro-Goldwyn-Mayer. At the Astor.
Esther Smith . . . . . Judy Garland
Tootie Smith . . . . . Margaret O'Brien
Mrs. Anna Smith . . . . . Mary Astor
Rose Smith . . . . . Lucille Bremer
John Truett . . . . . Tom Drake
Katie . . . . . Marjorie Main
Mr. Alonzo Smith . . . . . Leon Ames
Grandpa . . . . . Harry Davenport
Lucille Ballard . . . . . June Lockart
Lon Smith Jr. . . . . . Henry H. Daniels Jr.
Agnes Smith . . . . . Joan Carroll
Colonel Darly . . . . . Hugh Marlowe
Warren Sheffield . . . . . Robert Sully
Mr. Neely . . . . . Chill Wills
|