Copyright Guidelines for Musical UPPS
No. 01.04.20
Performances on Campus Issue
No. 4
Effective Date:
09/30/2004
Review: May 1
E6Y
01. POLICY STATEMENTS
01.01 This UPPS is designed to help members of the university
community to understand and comply with the Copyright Revision Act of 1976
insofar as it relates to Musical Performances on Campus.
01.02 This UPPS does not cover those provisions of
the Copyright Law that pertain to library copying, nor does it cover copyright
guidelines for classroom use and research. Guidelines for classroom use and
research are set forth in UPPS No.
01.04.22. Copyright guidelines for the Texas State Albert B. Alkek Library
are in UPPS
No. 01.04.21.
02. LIMITATIONS AND
INQUIRIES
02.01 This UPPS is a summary only, and is not
intended as a detailed guide to the Copyright Law. Questions regarding the
applicability of the Copyright Law to specific situations should be addressed
to the University Attorney.
02.02 All general inquiries about the content of the
Copyright Law should be addressed to the Alkek Library Reference Department.
02.03 The University Attorney will promptly notify
the Dean of Students and the Dean of Fine Arts and Communication of any
significant changes in the Copyright Law that affect musical performances on
campus.
02.04 The University is not responsible for
copyright infringements by members of its faculty, staff, administration or by
students. It is the position of the University that copyright infringements are
the responsibility of the individual infringer, and not the University.
03. COPYRIGHT
PRIVILEGES
03.01 Generally speaking, the owner of a copyright
has the exclusive rights to display or perform the copyrighted work publicly.
03.02 Under the old copyright law, public
performances of musical compositions were subject to control by the copyright
owner of the music only in cases where a performance was "for
profit." The current law removes this general "not-for-profit"
exemption and substitutes in its stead certain specific exemptions. Musical
works may be performed without violation of the Copyright Law if any one of the
exemptions applies.
03.03 These exemptions, briefly described, are:
a. Face-to-face teaching activities of a
non-profit institution in a classroom or similar place devoted to instruction;
b. Broadcasting as a regular part of systematic
instruction at a non-profit educational institution for reception in
classrooms; and
c. Performance of a nondramatic literary or
musical work by an educational institution if the educational institution does
not pay the performers and
1) No admission fee is charged; or
2) An admission fee is charged but the net
proceeds are used exclusively for educational purposes and the copyright owner
has not served written notice of objections seven days prior to the
performance.
03.04 The exemption of "nondramatic
works," as the term is used in the statute, means that performances of
dramatic works such as opera, musical comedy, oratorios, and the like are not
exempt under this section.
03.05 The doctrine of "fair use," as
described in Section 04.02 of UPPS No.
01.04.22, "Copyright Guidelines for Classroom Use and Research",
applies to performances of musical works.
04. ADDITIONAL
EXCEPTIONS TO THE COPYRIGHT LAW
04.01 The Copyright Law applies to live performances
by musicians as well as to the playing of phonographic records, tapes, or
disks. There are some general exceptions to the laws, however.
04.02 Private Performances: Performances that are
not "public" performances are not copyright infringements. The
University Attorney should be contacted if a question arises as to whether a
performance is private.
04.03 Jukeboxes: Under certain circumstances, the
playing of musical works on a jukebox may be excepted from the applicability of
the Copyright Law. The University Attorney should be consulted for specific
questions.
04.04 Operation of Ordinary Radio or Television Set
in Public: Establishments which merely operate a home-type receiver are
generally exempt from the Copyright Law. The University Attorney should be
consulted for specific questions.
05. NECESSITY FOR KEEPING RECORDS OF MUSICAL
PERFORMANCES ON CAMPUS
05.01 The University has entered into contracts with
the three major organizations representing the owners of musical copyrights
allowing the University to perform musical compositions on its campus. The
contracts with these licensing organizations cover musical performances on the
University's campus, in any establishment engaged by the University
exclusively, and those sponsored by any organization, such as a fraternity,
sorority, social club or similar organization, affiliated with the University
which may be located off the University's campus, but is run under the
University auspices exclusively for the benefit of University students.
05.02 The contracts with the licensing organizations
impose a copyright fee on the University for certain major performances. The
contracts require that the University furnish these organizations copies of all
programs of musical works sponsored by the University or by organizations under
its control.
05.03 The Dean of Students, the Dean of Fine Arts
and Communication, and other administrative heads must submit copies of all
programs of musical works performed in all musical attractions under their
authority. These officials should submit copies of the programs to the Director
of Auxiliary Services or to the licensing organizations on demand. The Director
of Auxiliary Services shall, in turn, submit such copies to the licensing
organizations. The University is under no obligation to furnish such programs
when they have not been prepared.
06. REVIEWERS OF THIS
UPPS
06.01 Reviewers of this UPPS include the following:
Position Date
University
Attorney May
1 E6Y
Director,
School of Music May
1 E6Y
07. CERTIFICATION
STATEMENT
This UPPS has been approved by the
following individuals in their official capacities and represents Texas State
policy and procedure from the date of this document until superseded.
University Attorney; senior reviewer of
this UPPS
Special Assistant to the President
President